贾樟柯导演的作品当中一直渗透出一种人文关怀的精神,折射这种情怀的正是导演始终对社会生活中的“小人物”保持一种关注态度,也成为他的电影风格。本文通过电影美学中思想和风格的维度分析其作品《世界》中所呈现的人物,以探索影视创作中需要的人文精神。 Jia Zhangke’s works have been permeated with a spirit of humane care, the refraction of this feeling is that the director has always been in the social life of “little people” to maintain a concern, but also become his movie style. This article analyzes the characters presented in his work The World through the dimensions of thought and style in the film aesthetics to explore the humanistic spirit needed in the film and television creation.