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中国古代文艺批评中的“尖新”范畴在具体的批评语境中,体现出正负两方面审美内涵和批评价值,具有矛盾复杂性。消极意义上体现为风格上尖利寒瘦、佻巧浅俗,技法上逐险斗巧、蹇涩冷僻,其审美取向与温柔敦厚诗教传统相违和,成为末世文弊之征兆,为正统批评家所不取;然革新派常在肯定意义上使用,其审美内涵包括:风格上天然清新、生机盎然、不假雕饰,技法上突破陈规、创新立奇,美感上惊喜绚烂、耳目一新,尖新成为诗德之一。
In the specific context of criticism, the category of “sharp newness” in ancient Chinese literary criticism embodies both the positive and the negative aesthetic connotations and critical values, which have contradictory complexity. In the negative sense, it is embodied in the following aspects: the style is sharp and cold, the skill is shallow, the skill is adventurous and diligent, and the technique is adventurous and unruly. Its aesthetic orientation is contrary to the gentle and graceful poetic tradition, However, the reformists often use it in a positive sense. Its aesthetic connotation includes: fresh natural style, full of vitality, no false carving, breakthroughs in technique, innovation and novelty, aesthetically pleasing to the eye, refreshing and refreshing Become one of the virtues.