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在承认音乐是人的创造(音乐作为人的创造方式)与音乐是人创造的(音乐作为人的创造结果)的前提下,我们说,音乐是自足的;也就是说,在“音乐是不同于客体存在的‘新自然’”与“音乐是人体框架中的客体”的共识下,音乐也是人所面对的一个相对独立的对象。应该说,探讨音乐美的构成方式、即对音乐构成方式的内在机制进行描述,是由音乐美学的基本问题之一——什么是音乐与音乐美不美——而自然形成的。也是“人在对音乐进行审美判断的同时更显示着人对自身的判断”的自然延续。因此,音乐美的构成方式作为音乐美学研究的一大对象,从根本上说是
On the premise of recognizing that music is man’s creation (music as man’s way of creation) and music is man’s creation (music as the result of man’s creation), we say that music is self-contained; that is, in “music is different Under the common understanding that the ’new nature’ existing by the object and ’music is the object in the human framework’, music is also a relatively independent object that people face. It should be said that discussing the composition of music beauty, that is, describing the intrinsic mechanism of music composition is one of the basic problems of music aesthetics - what is the unpleasant beauty of music and music - but naturally. It is also a natural continuation of ”people’s judgments on themselves even while making aesthetic judgments on music." Therefore, the composition of music beauty as a major object of the study of music aesthetics, fundamentally speaking