“念物稀之为贵,思厥爱之允臧,凡先民手泽之所留,皆民族精神之所寄。”(叶恭绰语)古往今来,几收藏鉴赏家,无不好古敏求,大都喜欢在他们收藏或鉴赏的书画作品上钤几方古雅精致的收藏印,红泥留影,朱墨灿然,表示这些文人雅士收藏尚美、鉴定之精,“作者与藏家殆亦皆以是为信据。故物之真赝,时之先后,胥可凭以判断焉。”(叶恭绰《明清画家印鉴序》)。诚谓“天壤之间,欣快之事,宁有逾于此者耶”。一一般认为,由实用印章到篆刻艺术的转变最初是由印章参与书画鉴赏开始的, “Things rare as expensive, think of love Yun Zang, where the ancestral hand-Ze left, are sent to the spirit of the nation.” (Ye Gongchu language) Since ancient times, several collectors connoisseurs, all sorts of ancient sensitive , Most of them prefer to collect and admire paintings and calligraphies and works of art from their quaint collection of exquisite prints, red mud pictures and brilliant ink from Zhu Mo, indicating that these literati collections are still beautiful and of fine identification. “The author and the collectors are almost always According to the true story of the material, the time has followed, Xu can judge by Yan. ”(Ye Gongchuo“ Ming and Qing painters seal order ”). Cheng said “between heaven and earth, euphoria, rather than more than that Jesus.” It is generally believed that the change from a practical seal to seal cutting art was originally started by the seal involved in painting and calligraphy appreciation,