近年以来,法国战后文学批评颇为我国读者推重,萨特,拉冈,巴特,德里达诸家之学,亦多有译介。然法国批判界的全貌如何,其各家各派宗系何在,似尚少提契性的介绍,而对其发展嬗变的内因外力,亦终嫌不甚了然。雾里看花,花信美而虚矣,望空借道,道诚高而危哉。巴维尔此文由史而论,有述有 In recent years, the French post-war literary criticism is quite popular among readers in our country. There are many translations of Sartre, Lacan, Bart, and Derrida’s schools. However, the whole picture of the French critics, the various factions of their respective families, it seems less to mention the introduction of the contract, and its development and evolution of internal and external forces, it is not entirely clear. Foggy flowers, flowers and letters of the United States and imaginary, looking empty borrowed, high moral integrity and dangerous zai. Pavel this article from the history of the matter, there are described