新时期以来回族文学表现出明显的悲剧审美倾向,悲剧成为展现民族生活和心灵的重要方式。尽管多数作品没有表现激烈的矛盾冲突,但坚硬生活、严酷环境、历史遽变、命运多舛等对人生发展造成的困厄更具有普适性。一般没用宏大主题也没有宏大行动,而是表现生活和精神基本需要的朴素追求,其悲剧具有人生性生活性特征,展现出平凡生命的艰难与坚韧。许多回族文学作品借民间文艺形式,为人物平庸生活增添了浓郁的诗性色彩,作品在浓浓悲情的痛感中生发出唯美的诗意。 Since the new period, the Hui literature shows obvious tragedy aesthetic tendency. Tragedy has become an important way to show the national life and soul. Although most works do not exhibit intense conflicts and conflicts, hard life, harsh environment, historical changes and heavy fates are all the more common causes of distress in life development. In general, it has no grand theme or ambitious action, but a simple pursuit of expressing the basic needs of life and spirit. Its tragedy has the characteristics of sexual life, showing the hardship and tenacity of ordinary life. Many Hui literary works have enriched the mediocre life with rich poetic color by means of folk art forms, and the works give aesthetic poetic meaning in the pain of deep sadness.