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作为一名设计师和教师,笔者认为,中国设计界在呼唤自主性崛起的同时,更要大声呼唤真正具有人文价值的设计,特别是需要在跨学科设计的思维基础上呼唤这种人文价值。这是因为,设计是一个跨学科、跨领域的综合性专业,一个设计师在展示其设计作品时,这种跨专业性大概有三方面的表现:其一,一个设计项目的设计创意来源是多元的。比如,它们可能来源于传统文化的某个表达领域(古老的文字或语言、古代经典的文学著作、传统艺术技法和形式等)、日常生活的某些感悟或是对社会宏观事件的思考等等。而这些形成创意的来源本来就已经跨越了学科或专业的界限,设计师在选择
As a designer and teacher, the author believes that while China’s design community is calling for the rise of autonomy, it must also call for the design of truly humanistic values. In particular, it needs to call for such humanistic values based on the interdisciplinary design thinking. This is because design is an interdisciplinary, multidisciplinary and comprehensive professional. When a designer shows his design work, there are probably three aspects of this cross-professional performance: First, the origin of the design idea of a design project is multiple of. For example, they may come from a certain expression field of traditional culture (ancient words or languages, ancient classic literary works, traditional artistic techniques and forms, etc.), some sentiments of daily life or thinking of social macro events, etc. . And these origins of creative ideas have already crossed the boundaries of disciplines or professions, designers in the choice