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当前的杂文创作呈现出一个极度繁荣的面貌 ,关注现实 ,拥抱人生 ,其艺术探索的触角伸展至社会 生活的各个领域。但是杂文创作长期以来形成的内在矛盾并未彻底解决。时代性被局狭地等同于反映眼前的问题和事件 ,因而生活底蕴单薄 ,情感灌注弱化 ;更由于历史主义的空泛和缺失 ,不能深入人性过程中更复杂更深厚的层面 ,止于表面化 ,缺少整体感 ;也因此 ,杂文中的“形象”也立不起来 ,不仅缺乏独立意义 ,甚至“形象”与内涵成为互相隔着的两张皮 ,并非二而一的统一体。如此 ,杂文又如何能有感染力呢 ?
The current essay creation presents an extremely prosperous appearance, focusing on the reality and embracing life, and the tentacles of its artistic exploration extend to all fields of social life. However, the inherent contradictions formed by essay writing have not been completely solved. Due to the empty and lacking of history, history can not go deeper and deeper into the process of human nature, and it is only superficial and lacking Therefore, the “image” in the essay does not stand up. It not only lacks independent significance, but even “image” and connotation become two skins that are separated from each other, not a unified one. So, how can the essay contagious?