过去有人告诉我,当编辑的是一把剪刀一杆尺,一瓶浆糊一枝笔,圈圈画画,抄抄写写,剪剪贴贴,是为他人作“嫁农裳”的一种繁琐工作。当我自己当了编辑,才感到:编辑工作不像人们所说的那样,他是一个“活导体”,凭借着一种立体意识在传播过程中联接受众者,起着重要作用。编辑的这种立体意识是由编辑的特殊位置、稿件和版面本身要求决定的,它包括群体意识、互补意识和整体设计意识。位置——编辑的群体意识编辑的位置很特殊,他是充当广大读者的代表与作者交谈,这就使得他能成为“主体”,既不可能不是他自己,又不可能完全是他自己。他在读者与作者之间 In the past someone told me that when editing is a scissors a rod, a bottle of paste a pen, circle drawing, copy copy write, cut and paste, is for others to “marry a peasant clothes,” a tedious work . When I was an editor myself, I realized that editing was not a living conductor unlike what people said. It plays an important role in connecting audiences through the dissemination of a three-dimensional consciousness. The editors ’awareness of this three-dimensional structure is determined by the editors’ special position, manuscripts and layout requirements. It includes group awareness, complementary awareness and overall design awareness. Position-editorial group awareness editing is very special, he is acting as a representative of the majority of readers talk with the author, which makes him become a “subject”, either by himself or not entirely by himself. He is between the reader and the author