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从各种报刊、杂志看到的盆景摄影作品,大多数都用自然光的顺光或阴天的散射光拍摄的。这种作品缺少太阳光的照射,透视效果差,好象是平面设计图,缺少立体感,没有回味的感觉。中国绘画用墨很讲究浓淡,近大远小及藏露,都是为了给观赏者以近似自然的透视效果。阳光照射大地,山川、森林形成了隐影;随着阳光照射角度的变化,我们周围的环境,树林的外貌也随着照射角度不同而起着变化,呈现出千姿百态的气象。盆景摄影要讲究和重视摄影用光,使作品能上一个层次,表现出盆景大千世界的自然面貌。
Most of the bonsai photographs seen in various newspapers and magazines are taken by the natural light or cloudy sky. The lack of exposure to sunlight, poor perspective, seems to be a graphic design, the lack of three-dimensional, no aftertaste feeling. Chinese painting ink is very particular about shades, near large and small and hidden, are intended to give viewers a similar natural perspective effect. The sun shines on the earth, mountains and forests form a shadow; with changes in the angle of sunlight, the environment around us, the appearance of the woods also changes with the irradiation angle, showing a variety of weather. Bonsai photography should pay attention to and use of photographic light, so that works can be a level, showing the natural appearance of a bonsai world.