在多种文学艺术发生和发展的过程中,视觉方式基本上决定了艺术载体的本质差异。而不同的载体,又导致了视觉的结果产生出许多神奇的变因,但是各种文学艺术同源的那种互通机能并未消失,而往往是始终相互影响。笔者浸淫于工笔重彩国画久矣,画作入眼,常常引起文学的思考。一、工笔重彩的“取形”与“离形”工笔重彩,多见于花鸟人物画。工笔重彩人物画的表现手法一日“取形”,二日“离形”。取形是为了保证不失原相,而离形则是 In the process of occurrence and development of many kinds of literary arts, the visual method essentially determines the essential difference of the art carrier. The different carriers lead to many magical variations in the visual result. However, the interoperability among different literary and artistic sources does not disappear, but often always interacts with each other. The author is immersed in the meticulous painterly Chinese painting for a long time, paintings into the eye, often aroused the thinking of literature. First, the meticulous care of “taking shape” and “from the shape” meticulous, more common in flower and bird figure painting. Meticulous figure painting performance techniques on the 1st “take shape”, on the 2nd “off shape.” Shape is to ensure that without losing the original phase, while the shape is