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(一)我第一次见到小提琴是在1947年考入国立音乐学院幼年班的时候。学校虽然在一座破旧的灵官庙里,但十八罗汉已换成了巴赫、莫扎特、贝多芬等的画像,“阿弥陀佛”的念佛声已变成了弦乐合奏莫扎特《小夜曲》的悠扬琴声,我常立在乐队旁,听着大哥哥们的合奏入迷、发呆,这动人的音乐永恒地刻在了我的记忆里。在晚饭后我常躲在小提琴老师王人艺或盛雪先生家的窗口下,听他们练琴,盛先生的贝多芬《D大调小提琴协奏曲》、王先生的门德尔松《e小调小提琴协奏曲》,给我种下了美好的愿望,我一定要拉这些动听的乐曲。十多年后我从音乐学院毕业时就拉的贝多芬
(A) The first time I saw violin was admitted to the National Conservatory of Music in early 1947. Although the school is in a dilapidated Lingguan Temple, the 18 Arhats have been replaced by portraits of Bach, Mozart, Beethoven, etc. The recitation of the Buddha’s voice of “Amitabha Buddha” has become the melody of Mozart’s “Serenade” , I often stand next to the band, listening to the big brother ensemble fascinated, in a daze, this touching music engraved in my memory forever. After dinner, I often hid under the window of the violin teacher Wang Renyi or Mr. Sheng Xue’s home and listened to them by Steven Sheng’s Beethoven “Violin Concerto in D Major”, Mendelssohn’s “E minor Violin Concerto” by Mr. Wang, I planted a beautiful wish, I must pull these beautiful songs. More than a decade later I graduated from the conservatory, Beethoven