相较于一般的知青文本将乡土最多只作为一个叙事背景,《我的遥远的清平湾》却站在乡土立场上,感喟贫瘠又诗性的乡土。史铁生的《我的遥远的清平湾》没有控诉或痛斥,写了苦难,但不是习见的对自己的苦难的种种回忆,而是聚焦于下放地农民的苦难,但写来一脸的槐树花香。知青“伤痕文学”揭示上山下乡运动的悲剧,强调返城后伤痕的平复,以鲜明的理念色彩体现主流社会的叙述立场,突出返城后生活和思想上的困境,以浓厚的乌托邦色彩体现知青主体叙述。比之于 Compared to ordinary educated youth texts, the local area is only used as a narrative background at most. “My distant Qingping Bay” stands on the local soil and feels poignant and poetic. Shi Tie-sheng’s “My Remote Qingping Bay” did not complain or denounce, wrote misery, but not the common memory of her own misery, but focused on the peasants’ . The “scar literature” of the educated youth reveals the tragedy of going up to the countryside and the tragedies of the movement to the countryside. It emphasizes the restoration of scars after returning to the city, embodies the narrative position of the mainstream society with a distinctive conceptual color, and highlights the post-returnee life and ideological dilemmas with a strong utopian color The main body of educated youth narrative. Compared to