随着西方文化形态由现代化范式向后现代化范式的嬗变,传统的“文化”与“非文化”之间的界限变得模糊不清了。在“大众文化”浪潮的冲击下,那些一向自持清高、凭“思想”过日子的文(化)人们,不知什么时候被懵头懵脑地卷入了和歌星、广告商、时装模特儿、影视红角儿竞争的行列。于是他们不得不严肃地思考一些起初看来并不怎么严肃的问题:为什么“杰克逊”、“玛多娜”们会比莫扎特、贝多芬更令人如痴如狂?为什么曾被十九世纪文人斥为“无聊”的连环画如今 With the evolution of Western cultural patterns from a modern paradigm to a postmodern paradigm, the line between traditional “culture” and “non-culture” becomes blurred. Under the impact of the “mass culture” wave, people who have always held their own feet high and thought their lives have no idea when they are involved with pop stars, advertisers, fashion models and films Horned child competition ranks. So they had to think seriously about what did not seem so serious at first: why “Jackson” and “Madonna” would be more insidious than Mozart’s and Beethoven’s, Rejected as “boring” comic nowadays