强调笔墨价值,高扬笔墨传统,追求笔精之意,墨妙之韵,对中国画具有重要意义。 我以为,吴冠中先生的“笔墨等于零”之说,是出于西方艺术传统的“画之术”观念,相当程度地还带有西方现代艺术“新之术”(新之崇拜)的影响。在吴先生那里,笔墨仅仅是作为绘画材料和造型因素的功用。 不过,这种纯粹的就画论画的“画之术”观念,是西方的艺术传统。在西方,绘画和雕塑最 Emphasizing the value of ink and brush, promoting the traditional pen and ink, pursuing the essence of pen fine, the charm of ink, is of great significance to Chinese painting. I think Mr. Wu Guanzhong’s “Pen and Ink Equal to Zero” is based on the concept of “art of painting” that is derived from the Western art tradition. To a certain extent, it also carries the influence of “new art” (the new cult) of Western modern art. In Mr. Wu there, the pen and ink are just the functions of painting material and styling factor. However, the concept of “art of painting”, which is purely pictorial, is an artistic tradition in the West. In the West, the most drawing and sculpture