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秉承着中国传统文化的背景,无论工细或粗放,中国画的造型观都来源于意象认识,这也是中国画就气质而言有别于西方古典写实绘画的地方。中国画中的写意不同于西方绘画中的“印象”或速写,它依仗的是作者对物象的理解而非对物象的直觉的视觉观察感。就造型手法而言,中国画强调写意性的概括提炼,是以神韵为主导把握物象的本质特征,而不是单纯的自然主义的描绘。“写真”风格的作品难以为工笔画的可行道路。中国工笔画与西方传统油画的差别不止于工具材料。
Uphold the background of traditional Chinese culture, no matter whether the work is fine or extensive, the concept of modeling of Chinese painting comes from the understanding of the image. This is also the place where Chinese painting differs from western classical realistic painting in terms of temperament. Chinese painting is different from “impression ” or sketching in Western painting, relying on the author’s perception of the object rather than the visual observation of the intuition of the object. In terms of modeling techniques, Chinese painting emphasizes the generalization and refinement of the freehand brushwork. It takes the charm as the dominant guideline to grasp the essential features of the objects rather than the purely naturalistic depiction. “Photo ” style of work is difficult for the stroke of the road feasible. The difference between Chinese strokes and Western traditional paintings is not limited to the tool material.