我们常常会因为一支动人的旋律而记住一部电影——比如《雪绒花》和《音乐之声》;也常常会因为一部感人的电影而记住穿插其中的旋律——比如《冰山上的来客》和《花儿为什么这样红》。当音乐走进电影的那一天起,它就开始不断地在银幕上建造巴比伦的通天塔,用画面和语言到达不了的意境来冲破文化和思想的樊篱——难怪有的导演会说,离电影最近的艺术其实并非摄影,而是音乐。 We often remember a movie because of a moving melody - such as “Edelweiss” and “music of the sound”; often because of a moving movie and remember the interspersed melody - such as “iceberg On the guest ”and“ why the flowers so red. ” As the day the music entered the movie, it began to continually build the Babel’s Tower of Babel on the screen, breaking the barriers of culture and thought with the inability to take pictures and languages ​​- no wonder some directors would say that from the movies The latest art is actually not photography, but music.