“此地堪终日,开门见数峰”——[唐]刘得仁《青龙寺僧院》10多年前看到尹朝阳作品时就留下了深刻的印象——血色如残阳的天安门广场、影影绰绰的汹涌人潮、面目惊恐奋力抬石的孤独男人、令人头晕目眩的圆形辐射……这些绘画既具有强烈的时代特征,也蕴含着强烈的存在主义戏剧意味,“尹朝阳”这个名字也随着撕扯般的笔触以及刺痛感的色彩,深深留在了脑海。后来读到马塞尔·杜尚(Marcel Duchamp)“一幅不能带来震撼的画不是一幅好画”这句话时,在脑中跳出的第一个画家仍是尹朝阳。当年的“神话”系列中,尹朝阳就开始描 “- here at the end of the peak, see the number of peaks ” - [Tang] Liu Deren “Dragon Temple monastery” Yin Chaoyang works more than 10 years ago to see the left a deep impression - bloody, such as the sun dawn of Tiananmen Square, Surging crowds, lonely men who are struggling to lift rocks with fright, and dazzling circular radiation ... These paintings both have the characteristics of strong times and strong existential drama meanings. The name “Yin Chaoyang” With the tearing strokes and tingling color, deep in my mind. When I read Marcel Duchamp’s remark that “a picture that can not be brought into shock is not a good picture,” the first painter who popped out of his head was still Yin Chaoyang. Year “myth ” series, Yin Chaoyang began to describe