20世纪末法国汉学研究的转变和华人文学的崛起有着深刻的社会原因及历史基础,但是,两者在同时期的爆发所形成的交相辉映的局面是基于对中国文化的深层认识,从而完成各自对自身文化的重新关照。在众多将东方神秘主义和社会缺陷夸大的海外小说中,戴思杰把一个知识分子的中国展现给西方。面对自身在异族文化中的困惑而对故国展开的想象与西方思维模式下的想象中国不一样,那是一个从自身出逃又重新进入的过程。 At the end of the 20th century, the transformation of French Sinology and the rise of Chinese literature have profound social and historical foundations. However, the situation created by the outbreak of the same period in both countries is based on the deep understanding of Chinese culture and the fulfillment of their own Cultural re-care. In many overseas novels that exaggerate Eastern mysticism and social imperfections, Dai Sijie presents China as an intellectual to the West. In the face of its own confusion in alien cultures, the imagination of the homeland is different from the imagination in the western mode of thinking. It is a process of fleeing and re-entering itself.