在我国歌剧的发展史上,“民族歌剧”不愧为一朵奇异的浪花,占有非常光辉的地位。在20世纪40至60年代那个特定历史环境下,“民族歌剧”担当了引领大众积极向上的文艺排头兵角色。进入新时期以来,在中国观众的歌剧生活中,无论是《白毛女》《小二黑结婚》《洪湖赤卫队》 In the history of the development of our country’s opera, “National Opera ” worthy of a strange spray, holds a very glorious position. In the specific historical context from the 40s to the 60s of the 20th century, “national operas” acted as a cultural vanguard in leading the public in a positive and progressive manner. Since entering the new era, in the opera life of Chinese audiences, both the “White-Haired Girl”, the “Little Two Black Marriage” and the “Honghu Red Guard”