素描与色彩的训练作为高校美术基础教学的环节部分,不仅是一个阶段性的范畴,而且起着承上启下的作用。但在实践过程中,由于观察与表现方法缺少内在一贯性,而使二者的衔接在某种程度上缺失。由此,通过某种直接而明确的观察与表现方法作为基础平台,使二者有机结合,以便个体对事物在画面上的表达更加直接与通畅,从而更容易贴近绘画核心与本质。 Sketch and color training as a part of art teaching in colleges and universities is not only a stage of the category, but also plays a role in connecting. However, in practice, due to the lack of inherent consistency in the methods of observation and representation, the connection between the two is somewhat absent. Therefore, through some kind of direct and explicit method of observation and expression as the basic platform, the two are organically combined so that individuals can express their words directly and unobtrusively on the screen and thus can easily approach the core and essence of painting.