丰子恺先生曾说过:“世间一切美术的建设与企图,无非为了追求视觉的慰藉。视觉的需要慰藉,同口需要食物一样,故美术可说是视觉的粮食。人类得到了饱食暖衣,物质的感觉满足以后,自然会进而追求精神的感觉。故从文化上看,人类不妨说是‘饱暖思美术’的动物。”那么,穆夏是如何将多种艺术的风格并存在自己的画中,在相互不冲突的情况下,构建出作品的美感,满足人们的视觉审美要求呢?下面我将从新艺术运动的背景、艺术家手法特点和穆夏的插画作品进行分析,尝试着做出一些解答。一、新艺术运动背景19世纪末20世纪初,工业革命使欧洲一些发达国家进入工业文明时代,欧洲开始从农业社会迈向工业社会。社会转型期的新旧更替 Mr. Feng Zikai once said: “The construction and the attempt of all the fine arts in the world are nothing more than the solace of the pursuit of vision. The need of vision is solaceous that food needs the same kind of food, so art can be regarded as visual food. Warm clothing, the material feel satisfied, will naturally go further and the pursuit of the spirit of the feeling. Therefore, from a cultural point of view, humans can be said to be ”warm thinking art“ animals. ”So, Mucha is a variety of artistic style and In my own paintings, if my works do not conflict with each other, I construct the beauty of my works to meet people’s aesthetic requirements. Now I will analyze the background of Art Nouveau, the characteristics of artists and the illustrations of Mu Xia’s illustrations Make some answers. I. Background of Art Nouveau At the turn of the 19th century and the beginning of the 20th century, the industrial revolution brought some developed countries in Europe into the era of industrial civilization. Europe started to move from an agricultural society to an industrial society. Old and new changes in the social transitional period