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我们在欣赏《聊斋志异》不同篇章的时候,曾经不止一次地指出过,《聊斋志异》在艺术表现上极其精练这一特色。写短篇而在艺术上具有大容量,在古今中外的短篇小说中都是极为罕见的。《庚娘》又是一篇在艺术上高度浓缩的短篇小说。小说的篇幅不长,只有短短的两千多字(在《聊斋》中也只算是稍长而不是很长),但是人物众多(有独立的形象意义,或在情节发展中起到作用的人物,就有十个以上);人物关系复杂,由此而构成的情节也极为丰富,且奇峭曲折,引人入
While appreciating the different chapters of Strange Stories, we pointed out on more than one occasion that “Strange Tales from a Lover Studio” is extremely refined in artistic expression. Writing short and art has a large capacity, is very rare in the short stories both at home and abroad. “Giang Niang” is an artistically highly condensed short story. The length of the novel is not long, only a short span of more than two thousand words (in “Ghost Story” is only a little longer than long), but many characters (independent image meaning, or play a role in plot development People, there are more than 10); the relationship between people is complex, the plot is also extremely rich, and surprising twists and turns, introducing