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随着世界全球化进程的加快,东西方之间的交流持续深化,中国美学与西方美学之间的交流也愈发频繁,而中国现代设计也得到前所未有的发展,这是一个设计实践与美学理论并进的时代,也是中国美学全面转型的一个时代。在这样的时代背景之下,本文将围绕中国美学和中国现代设计,以及与西方美学之间的关系进行探讨,研究中国美学在现代设计的大环境中是如何再次逆向生长的。
As the globalization of the world accelerates, the exchange between East and West continues to deepen, and exchanges between Chinese aesthetics and western aesthetics become more and more frequent. However, Chinese modern design has also enjoyed unprecedented development. This is a combination of design practice and aesthetic theory The era of advancing together is also an era of the comprehensive transformation of Chinese aesthetics. Against such a background, this article will focus on the relationship between Chinese aesthetics, modern Chinese design and western aesthetics and explore how Chinese aesthetics once again regressed in the modern design environment.