当今,处身于社会文化转型中的学人尤其深切感到,现代工业——信息时代在古老中国的降临,不仅改变着人们的生存状态,引发了文化的变迁,而且改变着人们的思维方式和交往方式,引发了文学存在方式和文化话语形态的变化。因此,文艺学的创新与重构,不应停留于抽象的学理思辨的领域,而应执著于人的多样化审美/文化实践的结合。不是说探求文学、审美之类的根本性问题不重要,事实上每个时 Nowadays, scholars who are engaged in social and cultural transformation are particularly deeply aware that the advent of modern industry - the information age in ancient China not only changes people’s living conditions, but also causes cultural changes and changes people’s way of thinking and contacts Way, triggered the existence of literary forms and changes in the form of cultural discourse. Therefore, the innovation and reconstruction of literature and art should not stop in the abstract domain of academic speculation, but should be dedicated to the diversification of people’s aesthetic / cultural practice. It does not mean that exploring fundamental issues such as literature and aesthetics does not matter, in fact, every moment