看完《乡音》,心情久久不能平静。实事求是的说,《乡音》是一部颇能打动人心的影片。它犹若一曲恸人的悲歌,如泣如诉,哀而不怨,淡雅、清新而又隽永。影片的编导以浓重的笔触,饱蘸着无限的同情,塑造了一个与影片主调相一致的人物形象——女主人公陶春。这一切无疑是值得赞赏的。然而,当我们为陶春的不幸叹息之余再一细想的时候,却又不能不感到非常遗憾。坦率地说,影片还比较缺乏时代感,陶春身上缺少某些我们时代的气质。我认为,造成这种状况的原因,是影片的编导在对整个时代特点这一重要问题的把握上还不够准确,或者说自觉不自觉地忽视了这一问题。众所周知,在世界民族之林,我国妇女索以勤劳勇敢,任劳任怨,对丈夫百依百顺,以及对感情和家庭的忠贞而著称。应当承认,兼备这些特点的女性,在我国历史上是不胜枚举的;就是在今天,一些经济和文化比较落后的地区也还 After reading “accent”, the mood can not be calm for a long time. To seek truth from facts, “accent” is a very moving movie. It is still a sad song, such as crying, sad but not complacent, elegant, fresh and meaningful. The film’s director with a strong brush strokes, full of infinite sympathy, has created a character consistent with the main theme of the film - the heroine Tao Chun. All this is undoubtedly commendable. However, when we pondered over the sad sighs of Tao Chun, we regretted that. Frankly speaking, the film still lacks the sense of the times, and Tao Chun lacks certain qualities of our time. I think the reason for this situation is that the director of the film still lacks accurateness in grasping the important issue of the characteristics of the entire era or that he ignores this issue consciously or unconsciously. As is known to all, in the world’s nations, women in our country claim hardworking and hard working, and are well known for their husbands’ obedience and loyalty to their feelings and family. It should be acknowledged that women who have these characteristics are abound in the history of our country; that is, today, some areas that are less economically and culturally backward also