看穆家善的山水画,就会想到传统,想到传统的活力,想到传统的生长点。近百年来,中国画的传统有二:一谓“引西入中”;二谓“借古开今”。前者不管中体西用,还是西体中用,都是在积极学习西方,且没有完全隔断传统,“引西入中”只是重视科学意识,改变视觉观念,也因此而改造了语言方式,并在世纪的变革中渐成主流;后者则拉开了中西距离,稳步与时俱进,“借古开今”不是绝然不吸纳西画因素,而是注重中西画间可以兼容的 Look at Mu Shan Shan’s landscape painting, you will think of tradition, think of the traditional vitality, think of the traditional growth point. In the past century, there are two traditional Chinese paintings: one is called “lead west”, the other is “borrowed from ancient times.” The former, whether used in the West or used in the West, are actively learning the West and did not completely cut off the tradition. Instead of emphasizing the scientific concept and changing the visual concept, And gradually became the mainstream in the transformation of the century. The latter opened up the distance between China and the West and steadily progressed with the times. “Borrowing the Ancient Ideas Today” does not absolutely exclude the factors of Western painting but focuses on the compatibility between Chinese and Western paintings