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本文是针对私人收藏家管艺所做的个案研究,旨在了解并分析他的收藏体系和重要线索。通过回顾管艺成长的生活背景,分析影响他个人观念并最终导致他开始艺术收藏的主要事件,弄清楚他收藏艺术品的原因:同时通过研究他的收藏原则、收藏主题和他对当代艺术文献馆的运营,对比其他针对中国当代艺术的收藏家,凸现他与众不同的“自主意识”。通过研究发现,管艺收藏的当代艺术已超过了国内外近十家著名美术馆所收藏的中国当代艺术品。他以“浙美线索”和“′85—′89观念艺术”为主线索,以大尾象工作组对空间慨念的实践、中国当代艺术的三个资源,“中国性及绘画性”、“理性智慧与感性经验”、“社会主义艺术的传承与发展”等为分支,凭着自己对中国当代艺术的认知建立了他的收藏体系。管艺把握中国当代艺术的角度,可以说为美术史的研究打开了一个新的窗口,他的收藏不仅为中国当代艺术保留了一条命脉,也为人们重读历史提供了机会。
This article is a case study of private collector Guan Yi, which aims to understand and analyze his collection system and important clues. By reviewing the background of the growth of Guan Yi, I analyze the main events that affect his personal conception and eventually lead him to start his art collection, and find out why he collects works of art: by studying his collection principle, collection theme and his analysis of contemporary art literature The operation of the museum, compared with other collectors for contemporary Chinese art, highlights his distinctive “self-awareness.” Through the research, it is found that the contemporary art of Guan Yi Collection has surpassed the Chinese contemporary art collections collected by nearly ten famous art galleries at home and abroad. He took clues as “clue of Zhejiang-america” and “85-’89 concept art”, based on the practice of space tailoring group, the three resources of Chinese contemporary art, “China And ”Painting,“ ”Rational Wisdom and Perceptual Experience,“ ”Inheritance and Development of Socialist Art," and so on, and established his collection system based on his own cognition of Chinese contemporary art. Guan Yi’s grasp of the angle of Chinese contemporary art can be said to open a new window for the study of art history. His collection not only retains a life-time for Chinese contemporary art, but also provides an opportunity for people to re-read history.