我的作品通过将水墨的二维空间到雕塑的三维空间概念形式的转换,将东方的禅境与西方的抽象绘画语言衔接契合。用以无胜有,白甚于黑,势多于形的意念创作出形而上的东方意境的当代艺术作品。中国的文人画, 其形而上的学术态度和美学观念与美国现代主义似乎有一种血缘上的相似,它们都主张维护视觉艺术的纯粹性及感觉方式的 Through the conversion of the two-dimensional space of ink and wash to the conceptual form of the three-dimensional space of sculpture, my work connects the oriental Zen with the western abstract painting language. To create a metaphysical oriental artistic conception of contemporary art without victoriousness, white is more than darkness, with more potential than shape. Chinese literati painting seems metaphysical similarities with metaphysical attitudes and aesthetic concepts in metaphysics, both of which advocate the maintenance of the pureness and sense of visual art