陶瓷艺术家与火打交道更像是一场博弈,任何一件瓷器都需经过火作为中间媒介来完成,这个过程常被赋予“天时、地利、人和”的儒家观念。在瓷艺之路上不疾不徐前行的尉涧松对火的认知颇为中庸,他并不试图控制窑火,而是顺着火的秉性而为,火也在他的窑变中具灵性,并诱发出瓷器及颜色釉的最佳个性。 Ceramic artists deal with the fire more like a game, any piece of porcelain to be used as an intermediary to complete the fire, the process is often given “weather, geography, people and ” Confucian concept. Wei Jiasong, who was unyielding on the road of porcelain art, was rather moderate in his knowledge of fire. He did not try to control the kiln fire. Instead, he tried to control the fire, Induced the best personality of porcelain and color glaze.