幕一开,舞台上靜靜地,絲絲的音乐从远处传来,然后,送出一个穿着高貴胡服的妇人。她沿着篷帐走出来,慢慢地踱着,步子是那么安詳,脸上是那么忧郁,虽是愁鎖眉尖,却还气宇軒昂,在她凝視的目光中,看出是在酝酿詩句,在体驗詩中的意境;她本人,也成为詩中的形象:那就是蔡文姬的上場風。这場戏的布景是能誘导演員深入情景的。可是話又說回来了,如果那个演員不会演戏,这样的景对他将是一种困难。景是这样的:舞台的左面,大匹的彩布一层层地倒挂下来,下端貼着側幕,中間悬空,像吃飽風的船帆。灯光把它打的黑黝黝地,又像千級石 The curtain opened, quietly, silly music on the stage coming from afar, and then, sending out a woman in a noble gown. She walked out of the tent, slowly paced, the pace is so serene, his face is so melancholy, although it is unhappy to lock brow tip, but also imposing, in her gaze, see is brewing verse , Experience the mood of the poem; she himself, has become the image of the poem: that is, Cai Wenji’s playing style. The scene of this scene is able to induce the actor to go deep into the scene. But then again, such a scene would have been a challenge to him if that actor would not act. King is like this: the stage on the left, the big color cloth upside down layer by layer, the lower end of the side curtain, the middle of the vacant, like the sails full of wind. Light it to fight the swarthy, like a thousand stone