洪深(1894-1955年),中国江苏省武进县(今常州市)人,早年留美学戏剧,回国后致力于中国话剧和电影草创活动,在编剧、导演、表演等实践和理论方面都作出了巨大贡献。抗战时期,投笔从戎,率领演剧二队辗转乡间,宣传抗战。后与郭沫若、田汉配合,担任国家文化官员,组织剧团,配合国策进行宣传。《包得行》是洪深作为国民政府的文化官员,直接为国家征兵宣传创作的一出戏,1939年夏秋,由他本人亲率剧团在四川渝蓉乡间演出,颇受欢迎。以后在城市继续公演多场。然而,在10年后洪深列出的“十部必须阅读的抗战剧本”中却名落孙山,后来,虽然收在《洪深全集》中,但几乎无人谈及,话剧百年精选中更不见其踪影。本文以国仗、混混、女性为关键词探讨文本,并思考为何不能成为经典的原因。 Hongshen (1894-1955), Wujin County, present-day Changzhou City, Jiangsu Province, China, left aesthetics and drama in his early years. After returning to China, he devoted himself to the activities of Chinese drama and filmmaking. Both of them were made in the practice and theory of screenwriting, director and performance A great contribution. During the war of resistance against Japan, they voted for themselves and led the second team in the drama to the countryside to publicize the war of resistance. After with Guo Moruo, Tian Han, served as a state cultural officer, organized theatrical troupe, with national policy advocacy. As a cultural officer of the National Government, Hongshen directly acted as a dramatist for the national conscript propaganda. In the summer of 1939, he was personally welcomed by his own pro-theater group in the rural area of ​​Yurong, Sichuan. Later in the city continue to perform more than one. However, Hongshen ten years later listed in the “Ten Must-read Anti-Japanese War Scenarios”, but later, although collected in the “Hongshen Complete Works”, but almost no one talked about in the drama centuries featured Even less disappeared. This article discusses the text with national anthems, bully, women as the key words, and ponders why it can not become a classic.