由上海芭蕾舞团制作演出的现代芭蕾舞剧《长恨歌》近日在上海大剧院首演。作为一部由国外团队操刀创作的中国题材舞剧,该剧跳脱出传统的条框,跳脱出白居易《长恨歌》诗词文本的美学框定,充分体现了导演帕特里克对“长恨”的理解,为观众献上了一部不一样的《长恨歌》。整部舞剧始终沉浸在悲剧氛围中,采用和吸收了电影美学的叙事手法和美学特点,一幕人物情绪体现出一种节制般的凄美,二幕在节制中如溃堤般爆发。不得不佩服导演对文本中蕴藏的深刻情感的挖掘功力,这一点值得国内很多舞 The modern ballet “Everlasting Sorrow”, produced by the Shanghai Ballet, premiered recently at the Shanghai Grand Theater. As a Chinese themed ballet created by foreign teams, the play jumps out of the traditional framework and jumps out of the aesthetic framing of Bai Juyi’s poem version of “Everlasting Sorrow”, which fully reflects the comprehension of “long hate” by director Patrick, For the audience presented a different “Everlasting Regret.” The whole dance drama has always been immersed in the tragedy atmosphere, using and absorbing the narrative techniques and aesthetics characteristics of the film aesthetics, the scene of the emotions reflect a modest temperament poignant, two scenes in the abstemious as a breakwater. I have to admire the director’s excavation of the profound emotions hidden in the text, which is worth a lot of domestic dance