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吴一峰从小立志走面对社会、深入生活、体察自然的写生山水创作之路。1930年、1931年先后赴海宁、浙西名胜写生创作。1932年随黄宾虹入蜀写生讲学,并留居成都。从此对四川各地的风景名胜进行了反复深入地观察写生,创作一大批具有地方特色风貌的写生山水作品。1946年、1948年遍游云南、贵州两省,诞生了一批描绘滇、黔风情和人文景观的优秀作品。20世纪50年代到60年代中期,是吴一峰在创作的观念、题材、技法、风格上进行自我调造、自我革新的时期。他创作了一大批反映新社会建设及其发展变化,具有鲜明时代气息的作品。20世纪六七十年代,吴一峰屡受挫折,但仍写生创作不止。70岁以后,老而弥健,频繁远行,写生不止。
Wu Yifeng determined to walk from the ground facing the community, in-depth life, appreciate the natural landscape painting creation life. 1930, 1931 went to Haining, Zhejiang famous painting creation. In 1932 with Huang Binhong Shu sketch sketching, and stay in Chengdu. From then on the scenic spots throughout Sichuan have conducted in-depth observation of sketches, creation of a large number of landscape features with local landscape works. In 1946, 1948 traveled to Yunnan and Guizhou provinces, the birth of a number of outstanding works depicting Yunnan, Guizhou customs and cultural landscape. From the 1950s to the mid-1960s, Wu Yifeng was a period of self-cultivation and self-renovation in the concept, theme, technique and style of creation. He has created a large number of works that reflect the new social construction and its development and changes and have a distinctive flavor of the times. In the 1960s and 1970s, Wu Yifeng suffered many setbacks, but he still sketched more than just sketches. After the age of 70, the old and Mi Jian, frequent travel, sketching more than.