王朔的本质主义观其实就是对本质主义的悖反,他拒绝讨论并追求形而上的艺术审美属性,也不愿通过创作去寻求和把握历史的本质规律,并启发自己的终极追问,甚至他还怀疑在本质主义规定之下的很多既定社会意图。然而,对“现在”的热衷和对本质中心主义的背离,却使王朔获得了难以想象的成功。 Wang Shuo’s concept of essentialism is actually a contradiction of essentialism. He refuses to discuss and pursue metaphysical artistic aesthetic attributes, and does not want to seek and grasp the essence of history through his creation, and inspires his ultimate questioning. He even doubts Many established social intentions under the essentialist provisions. However, the fervor toward “present” and departure from the essentially centrism gave Wang Shuo unimaginable success.