论文部分内容阅读
电影空间作为一种文化符号,尽管其意蕴十分丰富,但在电影实践和电影批评中却被普遍轻慢和忽视,往往被时间、情节、人物、主题等相形更为“重要”的元素遮蔽。在辨析电影空间概念的三种界定方式的基础上,本文详述了从文化研究语境和叙事学视角研究电影空间的意义所在,并提出将电影空间叙事作为精神领域和社会领域而非物质领域来研究的重要性和必要性。本文还重点论证了从空间叙事的角度研究中国当代电影的现状、意义及内容,意在说明电影空间叙事具有丰富的研究内容和宽广的研究前景,有必要在这一领域展开深入的后续研究。
As a kind of cultural symbol, film space, though rich in its connotation, is generally neglected and ignored in film practice and film criticism and is often overshadowed by the more “important” element of time, plot, figure, theme, etc. . Based on the analysis of three definitions of the concept of cinematic space, this paper elaborates on the significance of studying cinematic space from the perspective of cultural studies context and narratology, and proposes that cinematic space narrative be regarded as a spiritual field and a social field rather than a material one To study the importance and necessity. This article also emphatically demonstrates the current situation, significance and content of contemporary Chinese movies from the perspective of spatial narration. The purpose of this article is to show that movie spatial narrative has rich research content and broad research prospects. It is necessary to carry out in-depth follow-up research in this field.