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1958年,在中国特殊的社会背景下出现了轰轰烈烈的“新民歌运动”。整个中国大地上一派诗歌的繁荣景象,人人都成了诗人。诗歌围绕着大跃进展开,一方面歌颂跃进的形势和各条战线上涌现出的劳动英雄;另一方面歌颂伟大的党和领袖及其领导下的新生活。但是这样一种歌颂又不免沾染时代的那种盲目了光和浮夸之气,在审美属性上有所缺失。这又是与政治对文学的长期干预不可分割。正式这样一种异样的时代之花对我国当代诗歌的发展带来了重要的影响。
In 1958, a vigorous “new folk song movement ” appeared under the special social background of China. Throughout the prosperity scene of a school of poetry on the earth in China, everyone has become a poet. The poetry flourished around the Great Leap Forward, on the one hand praising the situation of leaps and the heroines of labor appearing on all fronts; on the other hand praising great new parties and leaders and their new life under their leadership. However, such a blinding and exaggerated style of praise and inevitability of the times is lacking in aesthetic attributes. This is again inseparable from long-term political intervention in literature. Formally such a kind of flower of the times has brought an important influence on the development of our country’s contemporary poetry.