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延安时期文艺理论直接生发于抗日民族革命的现实土壤,密切关注当时的文艺运动与现象,寻求艺术和现实之间的一致性,平实而鲜活的理论话语在总结文艺创作经验的同时又指导着当时的文艺创作实践,促成了理论批评与文艺创作的有效互动,显现出鲜明的民族性、时代性与实践性,是马克思主义文艺理论中国化的典范。探究延安时期文艺理论的历史经验,对于当代文艺理论摆脱西方话语的束缚,建构文艺理论的中国气派具有重要意义。
The theory of literature and art in Yanan period directly developed in the real world of the anti-Japanese national revolution, paid close attention to the literary movements and phenomena at that time, and sought the consistency between the art and the reality. The theory of plain and vivid theory summed up the literary creation experience and at the same time guided The practice of literary and artistic creation at that time contributed to the effective interaction between theoretical criticism and literary creation, showing distinctive nationalities, times and practices, and was a model for the sinicization of Marxist literary theory. Studying the historical experience of the literature and art theory during the Yan’an period is of great significance to the contemporary literary theory getting rid of the shackles of the western discourse and constructing the Chinese style of the literary theory.