一直以来,秋泥的小说都是以其细腻著称,细腻到经常会让我产生错觉:小说是否是一个男性作家所写?秋泥的这种细腻是多方面的,从叙述到语言,从选材到构思,乃至于小说的主题,都透露出一种“秋泥式”的细腻。《玻璃》这篇小说也不例外。秋泥选取了生活中一个微小的事件,用倒叙的手法描写了一个由“带龙骨的红松地板”引发的邻里之间难以调和的矛盾的故事,来借此延宕开去,极大地扩展了小说的蕴含和外延。 All along, the fall of the novel are all known for its delicate, delicate to often give me the wrong impression: the novel is written by a male writer? Autumn mud of this exquisite is multifaceted, from the narrative to the language, from the material To the idea, and even the theme of the novel, revealed a kind of “autumn muddy” delicate. The novel Glass is no exception. Qiu Mian chose a tiny event in his life and used flashbacks to depict a paradoxical story of “the kongsong floor with keel” that caused the neighborhood to be reconciled. Expand the implication and extension of the novel.