美学是时代精神变迁、文明转型的最敏感的触角。曾几何时,以李泽厚为代表的中国美学界提出了一系列有创见的命题,成为一个时代思想解放的先声和见证。而今天,我们进入一个物质空前繁荣、社会矛盾凸显、精神裂变的文明转型时代。从美学上审视这个时代,它正呈现出一种亚美学的趣味。与以崇高、宏大叙事、整体划一、昂扬向上为总体特征的传统美学相比,亚美学是一种处于过渡状态 Aesthetics is the most sensitive tentacle in the transformation of the times and the transformation of civilization. Once upon a time, the Chinese aesthetic community represented by Li Zehou put forward a series of pioneering propositions that became the precursor and testimony of the emancipation of the mind in an era. Today, we have entered an era of civilized transition characterized by unprecedented material prosperity, prominent social conflicts and fission. Viewed aesthetically from this era, it is showing a taste of sub-aesthetics. Compared with the traditional aesthetics characterized by lofty, grand narratives, overall unity and high-spiritedness, Asian aesthetics is a transitional state