布莱希特固守住情节主线作为组织戏剧进程的原则,海纳·米勒则把那种“整晚只能看到唯—一个情节发展”的剧作称为无聊。他认为,在通往后现代的路上,只有通过弑父,即对布氏的反叛,才能创造出一种符合时代要求符合真实的戏剧。 Brecht took the main line of the plot as the organizing principle of the theater process, and Heiner Miller called the play “You Can Only See The Only One - A Plot Development” overnight. He believes that on the road to postmodernity, only through patricide, the rebellion against Brigitte, will it be possible to create a drama that meets the requirements of the times and fits the real story.