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吴冠中《风景》吴冠中的《风景》是1972年在西柏坡写生时创作的。《风景》无疑是反映吴冠中这一段乡间生活的代表性作品:一片密集的灌木丛,树叶被季节染成金黄,一群鸟儿正在觅食。这是深秋的北方原野常见的景象,却被画家表现得生趣盎然。用横笔触排出的树干(这是吴冠中特有的画法,与李可染以点积成的线有异曲同工之妙)与细枝参差交错,鸟儿如音符般点缀其间,构成了一幅极富乡野情调的北方金秋交响曲。其实,这段被放逐的乡间生活对画家而言心情并不好,然而能够重新拿起画笔投身艺术的愉悦,在这件色彩灿烂的作品中还是尽显无遗。
Wu Guanzhong’s “Landscape” Wu Guanzhong’s “Scenery” was created in 1972 in Xibaipo sketching. “Landscape” is undoubtedly a representative piece of Wu Guanzhong’s life in the country: an intensive shrub with golden leaves dyed seasonally and a flock of birds looking for food. This is a common scene in the northern autumn wilderness, but was painter performance lively. With the horizontal strokes of the trunk (which is unique to Wu Guanzhong painting, and Lee can be stitched dotted lines have the same purpose) with twigs staggered staggered birds, such as musical notes interspersed during the formation of a very rich country The mood of the northern autumn symphony. In fact, this banished country life is not good for the painter. However, being able to pick up the brush to join the pleasure of art is still evident in this colorful work.