中国传统园林与书法作为中国特有的文化现象,均具有将有限的空间赋予高度审美使命的创作精神。文章用艺术审美泛化思想作为研究的契入点,探讨了两者在创作思想上的相似性,更进一步地从创作主体、创作客体、艺术赏析、情感精神四方面揭示出二者在创作与赏析中传达出来的相似追求;通过发掘艺术门类之间的关联性,为传统园林的研究提供更为广阔的文化视野。 As a unique cultural phenomenon in China, traditional Chinese gardens and calligraphy all have the creative spirit of giving limited space to a highly aesthetic mission. This article explores the similarities between the two in the creative thinking by using the artistic aesthetic generalization thought as the demarcation point of the study. Furthermore, the author reveals the differences between the two in the creative and the creative spirit through the creative subject, the creative object, the artistic appreciation and the emotional spirit Appreciation of the similar pursuit of communication; through the association between the art categories, for the study of traditional gardens to provide a broader cultural horizon.