我不熟悉摄影界,但却不能忘记七十年代末四月影会的作品。它在摄影界犹如星星美展在美术界的地位,是对文革粉饰生活以及摆姿势、摆场景的反叛,强调对社会阴暗面的揭示和镜头真实感、自然感的追求。它表现了一代人的心灵历程,作为中国文化变迁的敏感点而成为一个里程碑。此后,摄影界曾有过一些受形式主义和构成主义影响的作品,为名人照像也曾一度风行。但较四月影会、摄影界在整个文化变迁过程 I am not familiar with photography, but I can not forget the works of the film of the late seventies in April. It is like photography in the stars in the art world status, is the whitewashing of the Cultural Revolution and posing, posing a scene of rebellion, emphasizing the disclosure of the dark side of society and the lens of the real sense of the pursuit of the natural sense. It shows the spiritual journey of a generation and becomes a milestone as a sensitive point of Chinese cultural change. Since then, the photography world has had some works influenced by formalism and constructivism. Celebrity photography was once popular. However, compared with the April Film Festival, the photography industry is in the process of cultural change