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《纸婚》是海外华文女作家陈若曦的一部长篇小说。出现在作品中的自我形象和他者形象的对话冲突,叙述人在对母体文化和客体文化进行选择时表现出来的左右摇摆和深刻矛盾,以及渗透在小说中的中国感觉,都是在对小说进行阅读欣赏过程中值得思考的一些问题。本文仅从作品的可操作性出发,尝试对小说《纸婚》中的异国形象和中国感觉作一赏析性分析。
“Paper Marriage” is a novel by overseas Chinese writer Chen Ruoxi. The dialogues and conflicts between the self-image appearing in the works and the image of the other person, the swaying and contradictions of the narrator in the selection of the mother-body culture and the object-culture as well as the Chinese feeling infiltrated in the novel are based on the novel Some questions worth considering when reading and appreciating. Based on the operability of the works, this article tries to make an analytic analysis of the exotic images and Chinese feelings in the novel The Paper Marriage.