法国歌剧从最早吕利的《阿尔采斯特》、《罗兰德》及拉莫的《双子星卡斯托与波吕克斯》到格雷特里的《狮心王理查》;从奥柏的《波蒂契哑女》及梅耶贝尔《恶魔罗勃》到奥芬巴赫《霍夫曼的故事》以及古诺的《浮士德》和比才的《卡门》,我们可以看出无论从体裁还是风格上都发生了极大的转变,任何一种艺术风格的变化都来源于当时社会大环境的转变,此文正是以历史背景为切入点,把不同时期的歌剧作品还原到其历史的框架中,有利于更准确地 French opera from the earliest Lurley’s “Arzost”, “Roland” and Ramo’s “Gemini Castor and Pollux” to Gretti’s “Heart of the Lion King Richard”; from Obu’s “ Portimah Mute ”and Meyer Bell“ Devil Robert ”to Offenbach“ Huffman’s Story ”and Cournot’s“ Faust ”and Bi Cai“ Carmen ”, we can see that both from the genre Or style have undergone tremendous changes, any kind of artistic style changes are derived from the social environment was changed, this article is the historical background as the starting point, the opera of different periods to restore its historical framework In favor of more accurate