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想象在艺术与科学中都起着重要作用,但在当代理论界,它面临着认识论和本体论的双重质疑。法国当代哲学家保罗·利科赋予想象以语言的角度,想象被看成是在语言中或通过语言的意义创新——即语义创新中不可或缺的机能。通过对话语——象征、隐喻、叙事——的语义学分析方法和反思的认识,利科的语义想象理论进入了本体论阶段。想象使意义的创新得以实现,为我们展现另一个可能的世界,扩大了我们的认识与经验世界。但作为一种诠释学的想象,它也避免不了各种解释之间的内部冲突。
Imagination plays an important role in both art and science. However, in contemporary theorists, it faces double doubts about epistemology and ontology. The French contemporary philosopher Paul Ricoeur gave imagination a linguistic perspective in which imagination is seen as an indispensable function in the language or in the sense of language through innovation - that is, in semantic innovation. By means of the semantic analysis and reflection of discourse - symbol, metaphor and narrative - Ricoeur’s theory of semantic imagination has entered the stage of ontology. Imagination enables meaningful innovations to be realized, showing us another possible world and expanding our world of knowledge and experience. But as a hermeneutic imagination, it also can not avoid the internal conflicts among various interpretations.