近几年来,随着改革的发展,苏联文学界开始对一些过去受批判和遭贬斥的作家重新评价,许多被禁的作品陆续出版,与读者见面。苏联这种开禁作家“热”的出现,使得对经典作家的研究相对地“冷”了下来。在一片“重新评价”的呼声中,自然也有人对马雅可夫斯基提出非议,並且发展成了一场争论。首先发难的是《莫斯科画家》报。它先后刊出《关于钢笔和刺刀》,《请允许自我介绍:马雅可夫斯基》等文章,对诗人提出种种责难。诸如:诗人提出“把钢笔变成刺刀”,这是在为斯大林的镇压献策;在长诗《好!》中把一切都写得很美好,是没有看到问题,缺乏远见;在诗中号召要“在田间铲除杂草,铲除富农”,是在呼应内务部 In recent years, with the development of reform, Soviet literary circles began to re-evaluate some past critics and reputed writers. Many banned works have been published and met with readers. The emergence of such a “hot” open-ended writer in the Soviet Union made the study of the classical writers relatively “cold”. In a voice of “reevaluation,” naturally, some people have criticized Mayakovski and developed into a controversy. The first issue is the “Moscow painter” newspaper. It successively published articles such as “About Pens and Bayonets,” “Please Allow Me To Introduce: Mayakovski” and put forward various censures on the poets. For example, the poet’s proposal of “turning a pen into a bayonet” is a recipe for the suppression of Stalin; everything is well written in the poem “Good!”; There is no problem or lack of foresight; and the call in the poem To “weed-eradicate weeds in the fields and eradicate rich peasants” is in response to the Ministry of Internal Affairs