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中国绘画讲书画同源,意思是画面中既有文字又有图示难以分开。文字在中国画的构图中是不可缺少的一部分,在中国画的画面上有书、有印、有画。画面布局留白,可以用文字来完善画面的空间,用文字解说、表达画家的思想,是中国文人画特点的一种表现。本文结合中国文人绘画的特点,运用三度空间的审美规律解析文字在画面中空间的安排和布局,并通过横向联系来分析与理解三度空间在中国绘画构图中的运用和解读,在阅读、理解、运用的过程中保持思路更加清晰,更好地发挥三度空间的作用。
Chinese painting, painting and calligraphy homologous, meaning that the picture has both the text and graphic hard to separate. The writing is an indispensable part of the composition of Chinese painting. There are books on Chinese painting pictures, printed and painted. Screen layout blank, you can use words to improve the picture space, with text commentary, expression painter’s thinking is a manifestation of the characteristics of Chinese literati painting. Based on the characteristics of Chinese literati painting, this paper analyzes the arrangement and layout of the text in the space of the picture by using the aesthetic rules of the third degree. Through the horizontal connection, it analyzes and understands the use and interpretation of the third space in the composition of Chinese painting, Understand, use the process to maintain a clearer idea, better play a three-dimensional role.