论文部分内容阅读
89以后,中国现代美术开始变得冷静,中国的当代艺术从这时才真正进入自身持续发展阶段.艺术与商品绘画的划分变得愈来愈明显.艺术家的创作状态及其自我完善进入最佳境界,使得中国的当代艺术不再是喧然大潮式的,而是清晰并富有学术性的.沈阳教育学院美术系的宫立龙、刘明、王易罡就是在这种文化背景下辛勤地工作着.这些年来,他们很少受外界的干扰,这使他们得以按自己所喜欢的样式发展,而且风格日趋成熟.宫立龙这位外表沉稳,而内心火热,具有诗人气质的艺术家,八十年代初就以其象征主义作品享誉画坛.这些作品主要以城市风情为主,注重其主题的寓意性,对现实生活持审视的态度.在绘画制作方面,他在粗犷的线条中掺杂着一些细节的矫饰性,而且这种矫饰性渗透在他以后所有的具有象征
Since then, Chinese modern art has become calm, and from then on, China’s contemporary art has really entered its own sustainable development stage. The division of art and commodity painting has become more and more obvious. The creative state of artists and their self-improvement have entered the best Realm, making China’s contemporary art is no longer a tide of noisy, but clear and full of academic. Shenyang Institute of Fine Arts Gong Lirong, Liu Ming, Wang Yi Gang is in this cultural background hard work with They have rarely interfered with the outside world over the years, allowing them to develop in their own preferred style and maturing in style.Golden Palace, a calm, inner, poetic artist, Early on with his symbolism works reputation galleries.These works mainly in urban style, focusing on the theme of the moral meaning of the real life of a censorial attitude in the painting, he mixed in the rough lines with some details The masculinity, and this artificial penetration permeates all of his later symbols